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Select Recording Studios Blog

Written Music

One of the most common questions artists ask before booking studio time is, “Is my song finished?” After working with thousands of artists over the years at select recording studios in Wood Green, North London, the answer is usually more complicated than they expect. Since opening our doors in 1998, we’ve seen one costly mistake repeated again and again: artists underestimating how finished their songs really are.

Studio time is valuable and paid by the hour. Using that time to figure out lyrics, arrangements, or basic song structure can quickly become an expensive learning experience. While creativity is always welcome in the studio, the recording environment is not the best place to discover your song from scratch.

The Illusion of a “Finished” Song

Many artists walk into the studio confident that their song is complete. But once the red light is on and the microphone is live, the gaps become obvious. Sometimes the song is simply too short. Other times, there are missing lyrics, unfinished verses, or sections that repeat without purpose. In some cases, there is no clear chorus at all—just one long verse that never truly lifts or resolves.

These issues may not be obvious when you’ve been living with a song for weeks or months. Familiarity can blur perspective. The studio, however, has a way of exposing weaknesses quickly, especially when you hear the song played back through professional monitors.

Why the Studio Isn’t the Place to “Figure It Out”

Recording studios are designed for capturing performances, not writing songs. When artists try to finish lyrics or rework arrangements during paid sessions, momentum slows, energy drops, and costs rise. Every pause to rewrite a line, debate a structure, or experiment with sections is time you’re paying for—often at premium rates.

We’ve seen sessions where an artist spends hours adjusting lyrics that could have been refined at home. By the time recording begins, voices are tired, focus is lost, and the performance suffers. What should have been a productive session turns into a stressful one.

Common Song Problems We See

Over decades of sessions, a few patterns appear consistently:

  • Songs that are under two minutes with no development

  • Verses that repeat with no clear chorus or hook

  • Lyrics that feel unfinished or improvised

  • Arrangements that don’t build or change

  • Endings that fade out because no ending was written

None of these problems are unusual—but they should be solved before stepping into a professional studio.

The Power of the Demo

One of the most effective ways to avoid these mistakes is simple: make a demo of your song first. It doesn’t need to be fancy. A rough recording on your phone, even if it’s just you and a guitar or keyboard, can reveal a lot.

Listening back to a demo helps you answer important questions:

  • Does the song feel complete?

  • Is it long enough?

  • Is there a clear chorus?

  • Does the structure make sense?

  • Are the lyrics saying what you want them to say?

A demo also gives you emotional distance from the song. When you’re not performing it live, flaws become easier to hear.

Confidence Comes From Preparation

Artists who arrive with solid demos are more confident in the studio. They know the song works. They understand its structure. Recording becomes about performance, tone, and emotion—not fixing fundamental problems.

From an engineer’s perspective, prepared artists get better results faster. Sessions run smoothly, creativity flows, and the final recording sounds intentional rather than rushed.

Respect Your Time and Your Budget

Recording studio time should be used to elevate a song, not rescue it. Writing and refining at home is free. Recording in a professional environment is not. The more prepared you are, the more value you get from every minute you spend in the studio.

After working with thousands of artists in Wood Green since 1998, one thing is clear: the artists who get the best recordings are the ones who ask themselves an honest question before booking time—Is my song truly finished?”

If the answer is yes, the studio becomes a powerful tool. If not, a simple demo might save you time, money, and disappointment.